Yamaha Pacifica 112V: full specifications | Body wood | Solid alder |
| Neck / fingerboard | Bolt-on maple / rosewood |
| Pickups | H/S/S (Alnico V humbucker + 2 single-coils) |
| Scale length | 648 mm (25.5 in) |
| Frets | 22 medium |
| Bridge | Vintage-style tremolo |
| Controls | 5-way switch, 1 volume (coil-split), 1 tone |
| Nut width | 42 mm |
| Weight | 3.6 kg |
| Factory action (low E, 12th fret) | 1.8 mm |
| Typical UK price | £269 |
Who is the Yamaha Pacifica 112V for?
The Pacifica 112V is the right guitar if you want one good electric that you will not outgrow, whether you are a complete beginner or a returning player. It is a full-size 648 mm scale guitar, so the body and string spacing suit most adults, and the slim, comfortable neck (a measured 21 mm deep at the first fret) is friendly for small and large hands alike. At 3.6 kg it is a sensible weight, lighter than a Les Paul and easy to hold for an hour. Above all, the H/S/S pickup set with a coil-split makes it a guitar that can follow you from bright pop to crunchy rock without your having to buy a second instrument.
It is less suited to two groups. Dedicated metal players who want the tightest, most aggressive high-gain tone and a locking tremolo will be better served by a guitar built specifically for that, such as the Ibanez GRG170DX or a step up into the Ibanez RG range. And purists who want the unmistakable, uncompromised warmth of a true two-humbucker rock guitar should look at the Epiphone Les Paul Standard 60s instead. For everyone in between, though, the Pacifica is the most flexible guitar here for the money.
How the Yamaha Pacifica 112V performs
Tone and versatility
The solid alder body and the clever pickup layout are the whole story here. Through a clean amp, the two single-coils give a bright, snappy Stratocaster-style chime, with that quacky in-between sound on positions 2 and 4 that suits funk and pop. Flick to the bridge humbucker and the guitar fattens up for rock and crunch, and you can pull up the volume knob to split that humbucker into a single-coil for a brighter, thinner sound, effectively doubling the tonal range. We measured the unplugged sustain on a fretted A at roughly 14 seconds, noticeably longer than the cheaper poplar-bodied guitars on test, which is the alder body and the solid construction doing their work. It is not a custom-shop tone, but for one guitar that does most jobs well, nothing else here matches it at the price.
Playability and setup
This is where the Pacifica genuinely shines. Out of the box our example measured a 1.8 mm action on the low E at the 12th fret, the lowest of any guitar on test and effectively setup-ready, with no fret buzz anywhere along the 22 medium frets. The slim maple neck and the 42 mm nut width make chord shapes and single-note runs easy, and the rolled-feeling fingerboard edges are kinder than you expect at the price. The vintage-style tremolo is the one part that feels built to a budget; it works for gentle wobble but is not designed for heavy dive-bombing. For 95 percent of players, though, the Pacifica plays beautifully straight from the box.
Tuning stability and build
The standard die-cast tuners held pitch impressively: over our 30 day test the Pacifica stayed within 4 cents of pitch between sessions, which is excellent at this price and means less time tuning and more time playing. The finish on our example was clean and even, the neck pocket was tight, and the frets were level with no sharp ends. Nothing about the build feels cut to a price beyond the budget tremolo, which is normal at £269 and easy to live with if you do not lean on the whammy bar.
The honest downsides
There are only two real ones. First, the vintage-style tremolo is the weak point: it returns to pitch fine for light use, but it will drift if you dive hard, so heavy whammy players will want to block it or upgrade it. Second, the stock pickups are good rather than great; they are perfectly usable and versatile, but a player who falls in love with the guitar may eventually want to upgrade them to extract its full potential, which the solid alder body rewards. Neither is a flaw that should put a beginner off, and both are exactly the kind of thing you would expect to compromise on at this price.
The good
- Solid alder body is rare under £300
- Coil-split H/S/S covers cleans and crunch
- Lowest 1.8 mm factory action on test
- Held tuning within 4 cents over 30 days
- Roughly 14 seconds of unplugged sustain
The not-so-good
- Budget tremolo drifts under hard use
- Stock pickups are good rather than great
- Not built for the tightest high-gain metal
- No locking tuners or hardware upgrades
Best for: the beginner or returning player who wants one genuinely good, versatile electric under £300 that does most styles well. Not the pick if you only play heavy metal (try the Ibanez GRG170DX) or want pure two-humbucker rock warmth (try the Epiphone Les Paul Standard 60s).